Inside of a Museum Exhibition Celebrating Jewellery in Hollywood

Axelle/Bauer-GriffinGetty Photographs

Ahead of the Academy Awards ceremony ended in March 2014, the Fred Leighton headband worn by initial-time Oscar winner Lupita Nyong’o—with its diamonds established in gold-plated platinum—had its individual Twitter account. Approximately eight yrs later, curiosity in all those extraordinary jewels hasn’t waned.

Starting November 14, the headband (and the Fred Leighton diamond earrings and Prada gown Nyong’o wore with it) will be aspect of All that Glitters: Legendary Jewelry and Hollywood Design and style, an exhibition at Roanoke, Virginia’s Taubman Museum of Art, curated by stylist, author, and entrepreneur Micaela Erlanger—who not only dressed Nyong’o for that Oscars ceremony, but has labored with a assortment of stars together with Meryl Streep, Diane Kruger, and Shailene Woodley.

micaela erlanger
Stylist Micaela Erlanger’s exhibit, All that Glitters: Legendary Jewellery and Hollywood Style, will open up at the Taubman Museum of Art on November 14.

Tim Geaney

“It was an extraordinary possibility,” Erlanger says of her to start with time curating a museum exhibition. “I was approached pre-Covid and listed here we are two years later on. I’m the Co-Chair of the Govt Committee of The Whitney Contemporaries in New York Town. A single of the trustees, Joanne Leonhardt Cassullo, is a superb pal and an individual I admire so a lot, and she’s also a trustee of the Taubman Museum. She approached me with an extraordinary option to curate the show of my desires, and now it’s at last coming to fruition.”

All that Glitters will aspect jewelry that aids inform the tale of Hollywood’s marriage to style from the early 20th century via to the contemporary day each on display and on the purple carpet. Parts on screen will include things like a Verdura bracelet favored by Marlene Dietrich, jewellery owned by Cole Porter, a Neil Lane piece worn by Mae West in She Completed Him Erroneous (and later on by Madonna in a tunes online video), the Cartier Jeanne Toussaint necklace that Anne Hathaway wore in Ocean’s 8, and the De Beers Jewellers Arpeggia five-line diamond necklace worn by Emma Thompson in Cruella.

all that glitters iconic jewelry and hollywood style
Cartier’s Jeanne Toussaint necklace, worn by Anne Hathaway in Ocean’s 8, will be on exhibit in All that Glitters: Legendary Jewellery and Hollywood Type.

Courtesy of Cartier

“I wished to do a minor bit of time traveling and clearly show the value of jewelry from the earlier to the present, and tie individuals eras collectively,” Erlanger claims. “There are some incredible items from the Golden Age and contemporary items that a youthful viewers can respect as effectively. We have some of the most amazing parts of fine jewellery, and I’m so very pleased to be in a position to share them and give persons a closer appear. These are factors you are made use of to looking at in magazines or on a Tv screen, and now you can get up close and private firsthand.”

The motion picture magic at the Taubman won’t finish with All that Glitters, nonetheless. Opening on the exact same day is Ruth E. Carter: Afrofuturism in Costume Design, an exhibition celebrating the illustrious profession of the award-profitable costume designer, whose do the job has been witnessed in movies which include Black Panther, Selma, and Do the Correct Matter. (Somewhere else in the setting up, Erlanger has lent her possess personalized Judith Leiber bag to complement the museum’s lasting exhibition of the brand’s operate.)

ruth e carter, the oscar winning costumer whose latest film is coming 2 america, in her los angeles home office
An exhibition of the environment of Oscar-profitable costume designer Ruth E. Carter, Ruth E. Carter: Afrofuturism in Costume Layout, will also open November 14 at the Taubman.

Adam Amengual

Erlanger’s keen to rejoice not only the relationship involving filmmaking and fine jewellery, but the extraordinary feat of accumulating these performs in a single location. “Often time points that have been worn on the crimson carpet can provide or go into collections, so it is this kind of an honor to have these pieces on display,” she suggests. “I’m so happy of what we’re able to showcase and I do assume it is the finest of the greatest.”

Does that signify that her to start with switch as a curator could not be her last? “As a stylist, I assume of myself as a storyteller, so curating an exhibition definitely served me extend that,” she states. “I would be honored to do something like this again.”

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Katheleen Knopf

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